Music
Music Development Plan Summary
School_Music_Development_Summary_2024 - 2025
Intent
Music is a phenomenon which is an integral part of our everyday lives, whether it forms part of our relaxation and entertainment or is practised at a high level of artistry. It can subconsciously affect us in adverts and films or can be studied with academic rigour. Children arrive at middle school with a wide range of prior musical experience and skill. Some play instruments to a high level or participate in musical performances in theatre groups and choirs outside of school. Others will primarily have experience of performing through class ensembles and singing at their lower schools.
At Leighton Middle School, children gain musical knowledge and skills through listening, singing, performing, evaluating, analysing, and composing across a wide variety of historical periods, styles, traditions, and musical genres. Children are given the opportunity to develop their music technology skills alongside more traditional forms of performing and creating music. The children are given further opportunities to pursue their musical interests and talents through a wide range of extra-curricular musical activities. We are committed to helping children achieve personal excellence through developing a curiosity for the subject. We encourage all children to develop as independent, creative and collaborative learners.
Implementation
Children are taught music in mixed-ability class groups in KS2 and in smaller practical groupings in KS3. The music curriculum ensures children sing, listen, play, perform, compose, use music technology and evaluate. This is embedded in the classroom lessons as well as various extra-curricular clubs, ensembles, performances and the learning of instruments. The elements of music are taught in classroom lessons so that children are able to use the language of music to dissect it, and understand how it is created, played, appreciated and analysed. In the classroom, children learn how to play the keyboard / piano, ukulele and a variety of percussion instruments. Playing various instruments enables children to use a range of methods to create sounds, as well as how to read different forms of music notation.
Children create and perform music in groups of various sizes, from partner work to whole-class ensembles. Music leadership skills and independence are increasingly encouraged as children progress through the school. In class children are introduced to a variety of different styles and genres of music, from classical composers through studying BBC Ten Pieces, to film music, world music and contemporary song. Through the study of different pieces of music children are taught how to combine the various elements of music to create their own music based on a variety of stimuli and across multiple genres.
Impact
Children at Leighton Middle School are encouraged to pursue their own musical passions and interests. We have a high up-take of children learning to play musical instruments, and a significant number of children who take part in extra-curricular music-making both inside and outside of school. Still more children have developed the confidence to learn to play instruments or use music technology as a hobby. Children are encouraged to share their musical interests in music lessons, which in turn inspires others to get involved. Our school’s status as a Music Mark school is due to the range of musical activities and experiences on offer.
We aim to equip the children with the skills, knowledge and musical vocabulary to pursue their choice of KS4 Music course, or simply to continue to listen, perform and create music for enjoyment. Upper schools have commented that our children arrive well equipped with a good musical vocabulary, the confidence and ability to play and compose music, as well as use music technology.
Curriculum Overview
Year 5
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Autumn Term: First Half Term |
Autumn Term: Second Half Term |
Spring Term:
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Summer Term: First Half Term |
Summer Term: Second Half Term |
Year 5 |
Singing Skills
Knowledge: Basic knowledge of the physiology of singing and effective warm-ups, breath control and how this links to phrasing, knowledge of various textures, including unison, round, canon, two-part harmony
Skills: Singing with good technique, maintaining a part within an ensemble, listening to fit vocal line with others in the group, performance skills
Vocabulary: posture, breath control, pitch, technique, dynamics, phrasing, round, canon, unison, harmony |
Instrumental Skills - Ukulele
Knowledge: Know how to read chord diagrams, the names of parts of the ukulele and strings, correct finger placement for C, Am, F and G chords
Skills: Able to play simple chords on ukulele with good technique, maintaining a steady pulse, performance skills, accompanying other performers, playing along to a song, practice skills, singing skills
Vocabulary: Chord, ukulele strum, fluent, fret, neck, tuning pegs, strings, pitch |
Music Notation & Keyboard Skills
Knowledge: Knowledge of what pitch is and how it can be notated, lines and spaces in treble clef, dotted notes, pitches on a keyboard
Skills: How to read different forms of notation, how to identify changes in pitch, playing keyboard with good technique, practice skills, using basic recording features in a DAW, performance skills, correct hand placement
Vocabulary: Pitch, stave, treble clef, ledger lines, dotted notes, fluent, accurate
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Inter-Related Dimensions of Music Knowledge: Names and notation for rhythms and common note durations, how to break down words into syllables to create rhythms, definitions of the inter-related dimensions of music, knowledge of various textures and dynamics, knowledge of different body percussion techniques and the timbres they create
Skills: Maintaining an individual part within a group, body percussion skills, maintaining a steady pulse, performance skills, singing/vocal skills, composing skills, using inter-related dimensions of music, listening for inter-related dimensions of music.
Vocabulary: Rhythm, duration, semibreve, minim, crotchet, quaver, semiquaver, rest, syllables, body percussion, texture, instrumentation, dynamics, forte, piano, crescendo, diminuendo, structure, pitch, tempo
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Musical Moods – We’re Going on a Bear Hunt
Knowledge: Knowledge of inter-related dimensions of music and musical devices that can be used to portray different scenes in We’re Going on a Bear Hunt
Skills: cooperation in group work, ability to identify musical features through listening, composing skills, combining inter-related dimensions of music to create a full piece
Vocabulary: pitch, duration, rhythm, tempo, structure, texture, instrumentation, motif, tone, semitone |
Year 6
Autumn Term: First Half Term |
Autumn Term: Second Half Term |
Spring Term: First Half Term |
Spring Term: Second Half Term |
Summer Term: First Half Term |
Summer Term: Second Half Term |
Keyboard skills Brahms Lullaby Knowledge: Knowledge of what pitch is and how it can be notated, lines and spaces in treble clef, dotted notes, Time signatures – three and four time, pitches on a keyboard, Background information about Brahms’s lullaby
Skills: how to identify changes in pitch, playing keyboard with good technique and accuracy of pitch and rhythm, maintaining a steady pulse, practice skills, using basic recording features in a DAW, performance skills
Vocabulary: Pitch, graphic score, stave, treble clef, ledger lines, dotted notes, ¾ and 4/4 time signatures fluent, accurate
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Repetition and Contrast Knowledge: Background information about Anna Meredith and her piece Connect It, background information about Beethoven and his 5th Symphony, notation of common note durations, grid notation, textures including canon, form and structure, including symphony and ternary form, what a motif is and how it is used in the study pieces
Skills: Performance skills, practice skills, maintaining a steady pulse, maintaining a part within an ensemble, composing for an ensemble, composing using motifs and ternary form, listening for musical elements and devices, keyboard skills, recording using multiple tracks and voices in a DAW
Vocabulary: Orchestra, body percussion, metronome, pulse, duration, crotchet, quaver, minim, semibreve, semiquaver, motif, canon, graphic score, symphony, ternary form, coda, contrast, timbre, movement |
Samba Drumming Knowledge: Background to samba drumming and its place within Brazilian culture, links to African Music and slave-trade, knowledge of musical features of samba including call and response, polyrhythms, samba groove, recall of specific patterns learned in previous lessons, samba instrument names
Skills: Performing as part of a class ensemble, maintaining a steady pulse, performance and practice skills, following and leading using non-verbal signals, listening as part of or leader of an ensemble
Vocabulary: rhythm, pulse, samba, groove, call and response, polyrhythms, surdo, caixa, repinique, agogo, tambourim, apito, ostinato, break |
Ukulele Knowledge: Basic construction of the ukulele and factors affecting pitch, know how to read chord diagrams, correct finger placement for a range of chords
Skills: Able to play a range of chords on ukulele with good technique, maintaining a steady pulse, performance skills, accompanying other performers, performing in a small group, practice skills, singing skills, fitting a performance in time with a backing track
Vocabulary: Chord, ukulele strum, fluent, fret, neck, tuners, strings, pitch |
Carnival of the Animals and Instruments of the Orchestra Knowledge: Background information about Saint-Saens and Carnival of the Animals, orchestral instruments and their sounds, orchestral families, understanding how musical elements can be combined to express characteristics and tell stories
Skills: Listening for instruments and elements of music, exploring the links between music, story-telling and image, composing a motif, creating music to represent a character and tell a story, recording using multiple tracks in a DAW, using automation edit features to create dynamics
Vocabulary: orchestra, strings, woodwind, brass, percussion, keyboard, violin, viola, cello, double bass, harp, flute, oboe, clarinet, bassoon, saxophone, trumpet, French horn, trombone, tuba, snare drum, timpani, bass drum, triangle, glockenspiel, xylophone, tubular bells, triangle, piano, conductor, motif, programme music, texture, timbre, duration, pitch, tempo, dynamics, structure |
Year 7
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Autumn Term: First Half Term |
Autumn Term: Second Half Term |
Spring Term: First Half Term |
Spring Term: Second Half Term |
Summer Term: First Half Term |
Summer Term: Second Half Term |
Year 7 |
Instrumental Skills Knowledge: Recapping how ukulele and keyboard work, knowledge of how guitar works, how to read different notation depending on instrument, understanding how different instruments affect the interpretation of a song
Skills: Playing chords on each instrument, reading tab and staff notation, practice skills, identifying instruments based on sound
Vocabulary: Chords, tab, staff notation, pitch, tuning pegs, neck, frets, tone, semitone, strum, plectrum, strings |
Film Music (Performance) Knowledge: Well-known film composers and some of their music, what a leitmotif is and how it is used in films, how music is used in films and what purpose it serves, knowledge of staff notation in treble clef, including accidentals
Skills: Playing keyboard with good technique, instrumental skills on ukulele/guitar/keyboard, performance and practice skills, reading staff notation, reading tab, listening to film scores and identifying techniques used by film composers and the effect on the listener
Vocabulary: leitmotif, pitch, tempo, dynamics, instrumentation, accidental, sharp, flat, natural, pulse, soundtrack |
Ostinato and Polyrhythms Knowledge: Using words to memorise rhythms, know and be able to identify ostinato, polyrhythms, call and response and syncopation, know how to read and use grid notation
Skills: Listening for inter-related dimensions of music, understanding how musical, dramatic and dance performance skills can be combined, performing and practice skills, memorising simple patterns, exploring and describing timbres, composing using rhythmic ostinato and polyrhythms, rhythmic improvisation, following and leading using non-verbal signals, working constructively with others to improve a music performance
Vocabulary: rhythm, timbre, beat, pulse, ostinato, polyrhythms, improvisation, call and response, question and answer, syncopation |
African Drumming Knowledge: Of the historical and social context of African Drumming and links to samba (year 6), recall of specific patterns learned in previous lessons, African instrument names know how to read and use grid notation
Skills: Playing djembe musically and with a sense of pulse in a variety of styles, developing listening skills to play as part of a group, develop rhythmic improvisation skills, learn djembe drumming techniques
Vocabulary: djembe, doundoun, talking drum, gankogui, shekere, improvisation, call and response, polyrhythm, bass, tone and slap techniques |
Song-Writing Knowledge: Know the different ingredients that go into creating a successful song, know what a riff, hook and chord sequence are and how to identify them, recognise major and minor triads and know which degrees of the major scale are major and which are minor triads, know roman numerals from I-VII for chord labelling purposes, know the most common sections in a song-structure and how to identify them
Skills: Composing a riff, creating a chord sequence using triads, writing lyrics, composing a melody, listening to and analysing features of songs, selecting, combining and refining ideas to create a song, using recording, editing, drummer and loops features of a DAW to create a backing track
Vocabulary: riff, ostinato, hook, structure, harmony, lyrics, melody, chord sequence, scale, chord, degree of a scale, triad, major, minor, semitones, verse, chorus, intro, outro, middle 8, bridge, instrumental solo, phrase |
Year 8
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Autumn Term: First Half Term |
Autumn Term: Second Half Term |
Spring Term: First Half Term |
Spring Term: Second Half Term |
Summer Term: First Half Term |
Summer Term: Second Half Term |
Year 8 |
Musical Devices and Inter-Related Dimensions of Music Knowledge: Background information about Verdi’s Dies Ire and Tuba Mirem from Requiem, describe a chromatic chord progression, scales, notes of treble clef including sharps, flats and naturals, know how to use a range of features in a DAW / notation software
Skills: Learn to play a chromatic chord progression on keyboard, create a chromatic chord progression, compose a melody, listen to and analyse Verdi’s Dies Ire, use notation software or a DAW to create a backing track, read staff notation in treble clef
Vocabulary: requiem, chromatic, chord, triad, word painting, orchestration, tempo, time signature, dynamics, octaves, fanfare, bass drum, trumpet, stanza, Latin, word-setting, sharp, flat, natural |
Musical Fusions Knowledge: Background information about Bach’s Toccata and Fugue in D minor, know what a remix is and how samples can be used to create a remix,
Skills: Aural dictation/repetition of rhythms and pitches, composing using pitched call and response and ostinato patterns, evaluating students’ own work and that of others, critical listening by comparing two versions of the same piece, composing a remix using samples and loops, applying EQ settings and editing features to create a remix of a classical piece, planning a structure for a composition, read staff notation in treble clef
Vocabulary: rhythm, pitch, phrase, sharp, pentatonic scale, ostinato, remix, samples, mood, dynamics, tempo, EQ settings, automation edit, panning, structure |
Music and the Media – Novelty Songs Knowledge: Gain an understanding of the ways in which music can be used to enhance adverts, know the features of an effective novelty song, know how to use a range of features in a DAW, use of rhyming structure
Skills: Listen to and discuss how novelty songs are used in a range of adverts, record vocal parts using a DAW, compose lyrics for a novelty song to be used in an advert Perform and record a vocal part for novelty song
Vocabulary: novelty songs, DAW, lyrics, hook, rhyming structure, pitch, melody |
Music and the Media – Foley Knowledge: Background of what Foley artistry is and where it comes from, understand how everyday sounds are recorded then manipulated to sound like something else
Skills: Recording audio into a DAW, manipulating and editing audio to create different sounds, synchronising sound effects to a video, using voice and instruments in unconventional and creative ways
Vocabulary: Synchronisation, audio effects, Foley, sound effects, audio manipulation, DAW, EQ settings, sampling |
Blues Knowledge: Background knowledge of the blues and its links to slavery and the civil rights movement in the USA, understand that most modern popular music has its roots in blues, know the 12-bar blues chord progression, notes of treble and bass clef
Skills: Play a 12-bar blues chord progression on the keyboard using two-hands, improvise using the blues scale, aurally identify chord changes, playing with fluency and accuracy, perform improvisation, chords and bassline for 12 bar blues simultaneously in a group
Vocabulary: Blues, jazz, folk, gospel, blues scale, 12-bar blues, chord, triad, walking bass, head arrangement, structure, blue notes |
Rap Beats Knowledge: Know how drum beats, basslines and chords can be arranged to create an effective accompaniment, know how to structure a song to ensure a balance of repetition and new ideas, know how to use a range of features in a DAW
Skills: Record and add effects to a vocal part, use combine recorded parts with loops and samples using a DAW, Perform and record rap vocals
Vocabulary: Bassline, Drop, bass, kick drum, snare drum, hi-hat, acapella, vocal, rap, riff, ostinato, hook, structure, harmony, lyrics, melody, chord sequence, scale, chord, degree of a scale, triad, major, minor, semitones, verse, chorus, intro, outro, middle 8, bridge, instrumental, phrase |
British Values
Year 5 |
Year 6 |
Year 7 |
Year 8 |
Mutual Respect: All pupils are taught the importance of listening respectfully to the work of others and giving constructive criticism. |
Mutual Respect: All pupils are taught the importance of listening respectfully to the work of others and giving constructive criticism. |
Mutual Respect: All pupils are taught the importance of listening respectfully to the work of others and giving constructive criticism.B27:D31 |
Mutual Respect: All pupils are taught the importance of listening respectfully to the work of others and giving constructive criticism. |
Tolerance: When introducing a piece of music pupils are encouraged to express their likes and dislikes. The ethos that we can learn from things we dislike or disagree with is encouraged throughout the curriculum. |
Tolerance: When introducing a piece of music pupils are encouraged to express their likes and dislikes. The ethos that we can learn from things we dislike or disagree with is encouraged throughout the curriculum. |
Tolerance: When introducing a piece of music pupils are encouraged to express their likes and dislikes. The ethos that we can learn from things we dislike or disagree with is encouraged throughout the curriculum. |
Tolerance: When introducing a piece of music pupils are encouraged to express their likes and dislikes. The ethos that we can learn from things we dislike or disagree with is encouraged throughout the curriculum. |
Democracy: The importance of valuing everyone's contribution and working democratically in groups is reinforced every time groupwork is done in class. |
Democracy: The importance of valuing everyone's contribution and working democratically in groups is reinforced every time groupwork is done in class. |
Democracy: The importance of valuing everyone's contribution and working democratically in groups is reinforced every time groupwork is done in class. |
Democracy: The importance of valuing everyone's contribution and working democratically in groups is reinforced every time groupwork is done in class. We also explore themes of democracy when learning about the history of the Blues and links to slavery. |
Rule of Law: Across the curriculum children are taught to use instruments, equipment and their voices safely. |
Rule of Law: Across the curriculum children are taught to use instruments, equipment and their voices safely. |
Rule of Law: Across the curriculum children are taught to use instruments, equipment and their voices safely. In addition, children are made aware of the importance of copywrite law with regard to song-writing. |
Rule of Law: Across the curriculum children are taught to use instruments, equipment and their voices safely. In addition, children are made aware of the importance of copywrite law with regard to using samples in their remixes. |
Individual Liberty: Whilst often working within a brief, children are encouraged to make their own creative choices when composing. As they progress through the school children are encouraged to work more independently, taking responsibility for their creative decisions. |
Individual Liberty: Whilst often working within a brief, children are encouraged to make their own creative choices when composing. As they progress through the school children are encouraged to work more independently, taking responsibility for their creative decisions. |
Individual Liberty: Whilst often working within a brief, children are encouraged to make their own creative choices when composing. As they progress through the school children are encouraged to work more independently, taking responsibility for their creative decisions. |
Individual Liberty: Whilst often working within a brief, children are encouraged to make their own creative choices when composing. As they progress through the school children are encouraged to work more independently, taking responsibility for their creative decisions. |
Careers
Year 5 |
Year 6 |
Year 7 |
Year 8 |
Singing and the Elements of Music: Pop / jazz music related professions including performer and songwriter. |
BBC Ten Pieces: Children are introduced to the idea of composing as a job, and start to consider composing to a simple brief. The Ten Pieces videos also enable class discussions around the role of the conductor, orchestral musicians and soloists (horn concerto). |
Film Music: Film, TV and video game composers, sound and audio technicians. A range of indirectly related roles within the film and TV industry, e.g. animator, director, screen-writer, editor etc. |
BBC Ten Pieces: choirmaster, chorister, organist, church musician, composer conductor, orchestral musician, music producer |
Keyboard skills and ukulele skills: Pop / jazz / classical music related professions including performer and songwriter. |
Samba Drumming: percussion group leaders and performers, ethnomusicologist, pop-music related professions, including performer and songwriter. |
Stomp and African Drumming: percussion group leaders and performers, ethnomusicologist, musical theatre and pop-music related professions, including performer, songwriter, choreographer. |
Music and the Media: Composer, radio careers (presenter, producer, sound engineer etc.), advertising careers including jingle writer. |
Musical Moods: Composer, music producer |
Carnival of the Animals: Composer, music producer |
Song-Writing: Song-writer, pop and rock music performers, producers, recording engineers. |
Blues: Song-writer, pop, jazz and blues performers and composers, musical historian and musicologist. |
Social, Moral, Cultural and Spiritual
Year 5 |
Year 6 |
Year 7 |
Year 8 |
Social & Moral: The intricacies of working in groups are taught explicitly across all topics, through whole class discussion and teacher intervention during groupwork. We openly discuss taking turns, compromising with others, listening skills and resolving disagreements. |
Social & Moral: The intricacies of working in groups are taught explicitly across all topics, through whole class discussion and teacher intervention during groupwork. We openly discuss taking turns, compromising with others, listening skills and resolving disagreements. |
Social & Moral: The intricacies of working in groups are taught explicitly across all topics, through whole class discussion and teacher intervention during groupwork. We openly discuss taking turns, compromising with others, listening skills and resolving disagreements. |
Social & Moral: The intricacies of working in groups are taught explicitly across all topics, through whole class discussion and teacher intervention during groupwork. We openly discuss taking turns, compromising with others, listening skills and resolving disagreements. |
Cultural: Children are exposed to a wide variety of musical styles from a range of cultures: from African, Australian and Scottish traditional songs to orchestral and pop music from the Western musical traditions. |
Cultural: Children are exposed to a wide variety of musical styles from a range of cultures: from Brazilian Samba to orchestral, contemporary and pop music from the Western musical traditions |
Cultural: Children are exposed to a wide variety of musical styles from a range of cultures: from African djembe drumming to film, orchestral, musical theatre and pop music from the Western musical traditions |
Cultural: Children are exposed to a wide variety of musical styles from a range of cultures: from Blues to orchestral and pop music from the Western musical traditions, and the use of music in the media. |
Spiritual: All music has the potential to invoke a spiritual response in the listener / performer. Specific links to religious or spiritual themes in year 5 include the singing of True Colors, Gospel songs (Oh when the Saints, Amazing Grace, I Wanna Sing) and listening to different musical moods, such as those in Peer Gynt and The Sorcerer's Apprentice |
Spiritual: All music has the potential to invoke a spiritual response in the listener / performer. Specific links to religious or spiritual themes in year 6 include discussion of the place of Samba in celebrating Mardi Gras. |
Spiritual: All music has the potential to invoke a spiritual response in the listener / performer. Specific links to religious or spiritual themes in year 7 include discussion of the role of djembe drumming in West African rituals and traditions. |
Spiritual: All music has the potential to invoke a spiritual response in the listener / performer. Specific links to religious or spiritual themes in year 8 include the exploration of Choral music in church services in Verdi's Dies Irae and links to spirituals and gospel music in Blues. |